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Ketts Books

Ketts Books

An independent community bookshop run by volunteers in the historic market town of Wymondham, Norfolk

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Before the Coffee Gets Cold

businessequip · 21/06/2020 · Leave a Comment

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When I was young, coffee shops were dangerous venues. I was never allowed to go to one. Youths would congregate and drink frothy coffee – we had never heard of cappuccinos- and stay for ages getting up to some sort of mischief. These days, the main mischief is young folks, sitting with half a cup of cold coffee, occupying the best seats and fiddling endlessly with their laptops.
In a back alley in Tokyo, there is a coffee bar where it’s best not to let your coffee get cold – that is, if you sit in a certain chair where you may, if you wish, briefly revisit the past. (Watch the coffee!) For the time travellers it’s terribly important not to do anything the disrupt the present, but it addresses a yearning, that I am sure we all have, to focus on what we did not do, did not ever say. The more they delve, the more poignant the dilemma.
The book is ‘Before the Coffee Gets Cold’ by the Japanese star, Toshikazu Kawaguchi. I loved it.
David

#indiebookshop

place called perfect

businessequip · 02/05/2020 · Leave a Comment

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i think a place called perfect was a bit confusing for me i liked the base story of it but then got confused because it said there was four archers in the title of the chapters but not in the story bit. I liked how everyone was obsessed with tea though.

Sacred Country

businessequip · 02/05/2020 · Leave a Comment

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SACRED COUNTRY
Rose Tremain
Vintage 2017, 391 pp.

First published in 1992, the novel was reissued twenty-five years later with a foreword by Peter Tatchell. Gender has been a major focus of attention in recent years, and here, Mary Ward (though born a girl) knows from the age of six that she is a boy. Her passage through childhood passes with that knowledge. The story brings out her challenges and confusion when growing-up, but also the determination and courage a person needs in later years to bring about the logical consequences. It is the more interesting that Rose Tremain gave the tale an historical setting in which prejudice abounds; we follow Mary’s life from the 1950s through to 1980, by which time she is Martin Ward. How much we have progressed since?
The location at first is a village in Suffolk, moving to London and onward to Nashville, Tennessee. Mary/Martin is not exactly surrounded by natural sympathisers. Her mother, Estelle – a well-crafted study in dreamy insouciance – seems to drift through life, not wishing to face realities, absorbed by endless TV shows. Her daughter meanwhile seeks comfort elsewhere. In this way we are introduced to a large cast (possibly too large?) of characters who influence the plot in one way or another. The author’s approach is to present the perspectives of several of these individuals, showing us scenes and dialogue within their own lives. Mary/Martin seems drawn to others who don’t quite ‘fit’ for one reason or another: the maker of cricket bats; her grandfather, Cord; and Walter, the Country singer. The village is somewhere to escape from, and as the story continues, we get the feeling that at some point Martin’s growing inner anger must show itself.
I am not really convinced by good ol’ Nashville, but Sacred Country moves at a good pace toward a satisfying conclusion. It is a story which involves much physical and emotional pain: all the pain of a new life struggling to emerge.

Ray
Feb 2020

Passionate Spirit

businessequip · 30/10/2019 · Leave a Comment

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I finished A Passionate Spirit by Cate Haste which was about the life of Alma Mahler. It is the story of an extraordinary woman in turbulent times. I would say it was fairly niche, it is created extensively from her own words and perceptions as the wife of Mahler in a world of creatives. I found it absorbing and alarming. A portrait of the agonies and ecstasies of a woman always in company yet desperately alone.

The Anarchy

businessequip · 30/10/2019 · Leave a Comment

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The Anarchy: The relentless rise of the East India Company
by William Dalrymple. Bloomsbury 2019. (non-fiction; hardback; ISBN 978-1-4088-6437-1)
By the end of the eighteenth century, the East India Company (EIC) had transformed itself within fifty years from a trader in spices and silks to a military power which overcame the rulers and peoples of almost all India. In the author’s words, it was: ‘the supreme act of corporate violence in world history’. Great empires such as the Mughal were subjugated by military might, which was then used to raise taxes. The EIC commanded a security force of 200,000 men – far greater than the entire British army. William Dalrymple’s magnificent account, beautifully written, well researched and documented, and with a helpful glossary, describes the brutal advance of British colonial power across the sub-continent.
Officially, the EIC partnered Indian rulers in a series of negotiated trading arrangements. The reality was different. One EIC-appointed Governor of India was Lord Richard Wellesley (brother of Arthur, later the victor of Waterloo):
‘… he wrote to reassure the Court of Directors that he was not engaged in some vainglorious adventure at their expense: “Although I have deemed it my duty to call your armies into the field in every part of India … my views and expectations are all directed to the preservation of the peace, which in the present crisis cannot otherwise be secured than by a state of forward preparations for war.”
[Wellesley] had, in reality, absolutely no intention whatsoever of keeping the peace. Instead, he was hugely enjoying the prospect of using the directors’ private army to wage his entirely avoidable war against the French-led forces in India.’
Incredibly, this naked power was exercised by a private company run from a boardroom in London. By hook and by crook, strategies emphasising differences between the princes, and which divided and ruled, extracted immense wealth from India. Much of it brought fortunes to individual investors (who became the super-rich of their day), and to financial institutions in London.
Yet Dalrymple’s narrative makes clear not only the political double-speak and criminal extortion which took place in Britain’s name, but also the immense suffering of India’s hungry population as a result of war, plunder, hikes in taxation and other injustices.
As the many colour illustrations in The Anarchy show, cultures were denuded. Alongside fascinating examples of Indian art one also finds the painting by Benjamin West, Shah Alam Conveying the Gift of the Diwani to Lord Clive. The Shah’s court gleams with gold and silver in richly ornamented furnishings and clothing, yet Dalrymple observes: ‘Today we would call this an act of involuntary privatisation. The scroll is an order by the Emperor to dismiss the Mughal revenue officials in Bengal, Bihar and Orissa, and replace them with a set of English traders appointed by [Governor] Clive.’
The EIC became ‘too big to fail’. Eventually the British government was forced to intervene. The glory of Empire was for many years trumpeted vigorously, but Britain’s shameful reputation and the deeper resentments induced will outlast it.
Ray

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